Somethings never change.

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With the lockdown restrictions beginning to ease, the homeless and the unfortunate are steadily returning to the city streets.

As a rule, I never photograph the homeless as they do not choose to be on the streets.

There was something about this scene that made me press the shutter button.

I could see some emotional upset and comforted each other; they are lost in that moment so much, so they do not even see me with the camera.

We will never know what was going on. It could be one of a hundred things.

Maybe it is the prospect of a night on the street or the realisation that they have no money for the simple things we take for granted like food and a warm bed. We will never know the truth.

This pandemic has changed the way we live our lives, but some things it seems will never change.

Street Photography is Weird.

I wouldn’t say I like street photography – Not my words but the words from a friend.

At first, I was a little bit confused by this statement because I am a street photographer, and this is my thing, but then I realised it is not the like, but maybe its the understanding of street photography that he doesn’t understand.

Street photography from an outsider looking in can seem a little bit strange. We walk around open spaces and take pictures of strangers. Sounds weird.

Some use street photography for documentary purposes, and some use it to express their creative mind. 

To get a real understanding of street photography, we need to delve into the back catalogue of those that have gone before us. I have made it my business to study Gary Winogrand, Joel Meyerowitz, Cartier-Bresson, Saul Leiter, Harry Gruyaert, Alex Webb, and Tony Ray-Jones, Ernst Haas and many more. It is not about emulating them. It is about seeing the possibilities.

What I love about street photography is not knowing what you will see. You cannot go out there and think I will get this or that because it does not work like that. You must go with the flow, and if it happens, then it happens.

I go out there with a blank canvas, and sometimes I will return with what I think is a masterpiece and then there are the days that I can come back with a bag of shit.

Slow down, take your time and get some decent footwear.

Keep the Faith

KV

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FUJIFILM X100T CLASSIC CHROME -MANCHESTER

Lockdown Reflection

As we slowly grind our way out of this never-ending lockdown, I have done a little bit of reflection on the past few months and tried to make sense of it all.

In the beginning, we witnessed the selfish and the self-centred of this world clear the supermarket shelves with no regard or thought for anyone except themselves. Greed was king as they believed this was the start of the apocalypse—shameful behaviour by people who should know better.

Early on, I decided to turn the news off and delete certain apps as my brain was melting with the constant bombardment of fear-driven information.

The Government failed to get a grip of the situation, which left many of us in limbo, and once the lockdown kicked in, it was too little too late. Granted, they have tried to keep business afloat with bucket loads of cash, but it will all need to pay back the taxpayer.

There have been some positives, especially our overdue appreciation towards the NHS and the overworked, underpaid key workers.

We have seen some beautiful acts of kindness from all walks of life, which have restored some of my faith in humanity.

Away from photography, my real job is Telecommunications, so I was classed as a key worker.

My colleagues and I had the task of “Keeping the UK Connected”,, and I am proud of what we achieved in these difficult times.

Its been a time for gratitude and being thankful for what I have.

There have been some tricky days, but we have come through this together and made our little unit a bit stronger as a family.

Photography wise I have used these strange days to start writing this blog which has given me some escape from the ongoing situation. I am fully aware that my writing skills are not that of Oscar Wilde or Shakespeare, but I have done this for me and my sanity, but if just one person gets something from what I have written, that will be a bonus.

Over these past months, I have delved deep into my back catalogue, and it has been pleasing to see some growth with my work. Progress, not perfection, is always key.

It will be a pleasure to see the streets of Manchester bustle with activity again as the one thing that I have missed is life itself.

Time to give 2020 a jump start.

Keep the Faith.

KV

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CASTLEFIELDS MANCHESTER FUJIFILM X100F ACROS RED

Colour v Mono

The colour v black & white debate is something that I had a good few years ago and I decide that colour was the way forward for me.

This was partially due to my purchase of the X100T. Once I set the camera to classic chrome and looked through the viewfinder it was like a switch going off in my head and I was sold, hook line, and sinker.

Black and white still have its place especially with my commissioned work like weddings and portraits but with street photography is was going to be colour. For me, it is the difficulty of the two as there is a lot more thinking required, as all the elements need to be spot on for colour to work on the street.

I am not disregarding BNW but there is always the temptation to cover up the faults of the image by clicking that black and white button in Lightroom. And I think we can all agree that you cannot polish a turd by switching it to BNW and pumping up the clarity.

This is not me saying all BNW street work is shit because that would not be right as there are some superb street photographers out there who are producing some beautiful images in black and white.

And this is the point that we go full circle. I recently acquired the Fuji Film X100F and I am in love with the Acros film simulation settings especially the Red & Yellow filters. It was like a déjà vu moment when I looked through the viewfinder and I was seeing this beautiful grainy BNW image.

It is just small steps back into the world of BNW, but I am enjoying the process, so much so that I have opened another Instagram account for my BNW work.

Have I missed working in black & white? Yes and no but if I can have a slice of both worlds than I am happy with that. At the end of the day it is all about doing the things that make you happy.

New Instagram Page - https://www.instagram.com/kv_mono/

Keep the Faith

KV

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MANCHESTER - X100F ACROS+RED

Under the Influence #3

Kevin Cummins.

Kevin Cummins has documented British music culture for the last 40 years. From the Punk scene in the ’70s to the Madchester era of the late ’80s to the Cool Britannia days of the mid-1990s and everything in between.

As NME’s chief photographer for much of the ’80s and ’90s, he provided us with some of the most iconic images of that time, and I was an avid reader of the NME in them halcyon days.

 The images of Shaun Ryder hanging off the E on the Hotel sign and the paint-splattered Stone Roses, which both graced the cover, are now defining moments from that era. And let us not forget his work with Joy Division that will seal their legacy forever.

Kevin Cummins's contribution to British culture's historical documentation is something that we will probably never see again. That is why is he regarded as an icon of documentary photography.

For further reading and prints, go to his website - http://www.kevincummins.co.uk/

Recommended Book – Looking for the light through the pouring rain.

Cummins has raised the status of his work to the level of art. - John Peel

Keep the Faith

KV